‘Mr. Nelson, Did You Kill People?’ Review: A Vietnam Vet Reckons with PTSD in a Heavy-Handed Trauma Drama
By Jordan Mintzer September 6, 2026 12:01pm
Lee Chang-dong’s ‘Possible Love’ Emerges as Venice Film Festival Sensation
By Patrick Brzeski September 6, 2026 11:12am
Venice’s Lone Female Competition Director May el-Toukhy on Gender Gap: “I’ve Never Heard a Female Director Being Called a Genius”
By Scott Roxborough September 6, 2026 7:57am
‘Possible Love’ Review: Korean Master Lee Chang-dong’s Transfixing Meditation on Economic and Emotional Unease Is a Quiet Powerhouse
By David Rooney September 6, 2026 7:35am
May el-Toukhy Takes ‘Woman Unknown’ to Venice: “I’ve Used Every Part of Me to Make This Film”
By Lily Ford September 6, 2026 1:00am
Liam and Noel Gallagher Lock Arms at Venice Premiere of ‘Oasis: Don’t Look Back in Anger’
By Patrick Brzeski September 5, 2026 3:21pm
‘Oasis: Don’t Look Back in Anger’ Review: A Rich and Poignant Celebration of a Beloved Band’s Glorious and Improbable Return
By Richard Lawson September 5, 2026 12:35pm