‘Furies’ Review: A Breathtaking Beirut-Set Heist Drama Pits Fearless Sisters Against a Rotten System
By Sheri Linden September 4, 2026 12:00pm
‘Burgundy’ Review: The Classic French Vin Rouge Is a Way of Life in Michael Dweck and Gregory Kershaw’s Captivating Oenology Doc
By David Rooney September 4, 2026 10:02am
‘My Undesirable Friends: Part II — Exile’ Review: War Rages On, as Does the Journalistic Resistance, in an Essential Chronicle of Reporters Under Fire
By Jordan Mintzer September 4, 2026 2:30am
‘The End of Times’ Is an AI-Assisted Film Essay on Trauma That Wants to “Politicize Mental Illness” (Exclusive Venice Trailer)
By Georg Szalai September 4, 2026 12:30am
‘The Horsemen of the Apocalypse’ Director Shares Insight Into Her Hybrid Movie That Revisits Her Filmmaker Father’s Arrest and Death
By Georg Szalai September 4, 2026 12:01am
‘Too Much Sugar’ Review: A Lively and Authentic Portrait of Small-Town America, in Which the Characters Become Masters of Their Own Stories
By Jordan Mintzer September 3, 2026 6:09pm
‘Queer Edward II’ Takes Us Behind the Scenes of Derek Jarman’s Film Shoot and a Political Backlash (Exclusive Venice Clip)
By Georg Szalai September 3, 2026 1:00am