Louis Garrel Jokes About ‘Moretti Method’ Acting at Press Conference for Nanni Moretti’s ‘It Will Happen Tonight’
Veteran auteur Nanni Moretti – who has had nine movies in competition at Cannes — is back in Venice after…
Liam and Noel Gallagher Skip Oasis Documentary Press Conference at Venice Film Festival
In news that might not surprise anyone, Liam and Noel Gallagher skipped the Venice Film Festival press conference for their…
Aflac Taps Affleck for Commercials to Keep Insurance Customers Quacking
It seems as simple as moving a few letters around, but a new collaboration between Aflac, the provider of supplemental…
‘Tom and Jerry: Forbidden Compass’ Review: The Famous Cat-and-Mouse Duo Are Not Themselves In a Chaotic Chinese Cartoon
That title gives a first clue towards how misbegotten and compromised this new Tom and Jerry joint is. Everybody knows…
Robert Pattinson Wants Chris Hansen to Like ‘Primetime’ Despite His Criticisms: ‘I Hope the Inspiration His Character Has Given Is Some Kind of Compliment’
Robert Pattinson wants Chris Hansen to like “Primetime,” a tense thriller about the television journalist and “To Catch a Predator”…
Marion Cotillard Praises Venice Biennale College Cinema Workshop: ‘Not all Films Are Destined to Draw Millions of Viewers and Turn a Profit’
Oscar-winner Marion Cotillard (“La Vie en Rose”) is at the Venice Film Festival in a new guise, as tutor of…
‘Mr Nelson, Did You Kill People?’ Review: An Assaultive Yet Turgid and Outdated Vietnam PTSD Drama
If Shinya Tsukamoto’s “Mr Nelson, Did You Kill People?” were the first, or even the 51st, movie to litigate the…
‘Everest: The Other Side’ Review: The ‘Free Solo’ Directors Return With Another Extreme Sports Doc, This Time Tainted by Tragedy
“Because it’s there” is the famous, possibly apocryphal, reply attributed to British mountaineer George Mallory when asked why he wanted…
‘The Liberation’ Review: Carrie Coon Is Breathtaking as a Woman Lured by a Cult in Guy Nattiv’s Deeply Personal Film
“You carry a lot of weight around, don’t you?” In Guy Nattiv’s observant, harrowing and unmistakably feminine “The Liberation,” this…