“Ponies” is a bit of a unicorn.
The Peacock series that stars Emilia Clarke and Haley Lu Richardson as widows of CIA operatives who become intelligence assets in the 1970s Soviet Union has real stakes, and real blood. But its tone is comic first and foremost. And it has been submitted for the forthcoming Emmy nominations as a comedy, despite its hourlong episodes that on television usually mean drama.
The tone-mashing comes naturally to its showrunners, Susanna Fogel and David Iserson, a couple of veterans of film and TV writing. “Ponies” — intelligence-speak for “persons of no interest” — is the first show they have worked on that they created.
“We understand that we’re not a pure comedy and we’re not a pure drama, which is nothing that we wanted, and we were happy with that. But it was always also part of the calculus that when our characters are in peril, we should feel like they could die,” Iserson told The Associated Press in a joint interview with Fogel. “These characters are experiencing grief. These characters are experiencing peril and also they’re funny people, and that is just the way that we both see the world.”
Fogel puts it a little more succinctly: “Funny people in serious situation is our thing.”
Their two stars have youthful vibes but mature acting skills and they seamlessly handle the show’s swerves. Clarke’s character, Bea, begins as an innocent in a dangerous world the same way her Daenerys Targaryen began on “Game of Thrones.” Richardson’s Twila starts as the same sort of worldly, savvy character she has played on “The White Lotus” and elsewhere.
Then both go on major arcs.
“We wanted to give these actresses something new that they hadn’t done, but that didn’t feel like they were fighting some essential part of who they were,” Fogel said.
She and Iserson have what she calls “an open creative marriage.”
Separately, Fogel was a writer on the 2019 film “Booksmart” and the HBO series “The Flight Attendant.” Iserson has written for series including “Mad Men” and “Mr. Robot.”
Together, their work includes the 2018 film “The Spy Who Dumped Me,” which stars Mila Kunis and Kate McKinnon as women thrust into espionage. In retrospect, it feels like a dress rehearsal for “Ponies.”
“That was more on the comedic side of the spectrum for both of us and we were more excited to do something that was more grounded but had the same friendship story to it,” Iserson said. “So we took the things we loved about that experience and then used some of our other skills to make something that felt a little bit more in the dramedy sphere.”
The show felt grounded enough to some viewers that if you Google it, a question that pops up on search: “Is the TV series Ponies a true story?”
“I think good comedy is like a high-wire act. In a way it feels like a high-risk, high-reward thing to be able to do anything that’s doing that,” Fogel said. “I’m not sure how you can stand out with things that are just 100% serious.”
The half-hour comedy vs. hourlong drama split, which the overwhelming majority of historic TV series follow, really seems to matter where Emmys are concerned.
It is probably the reason the half-hour “The Bear” has been able to pass as a comedy and dominate those categories at the Emmys, to the chagrin of some makers of more purely funny stuff.
Though the hourlong comedy isn’t unheard of and the Emmys have recognized that before. “Ally McBeal” would get an annual raft of nominations in the late 1990s and once won best comedy series. “The Marvelous Mrs. Maisel” did the same in the 2010s.
Many of the Emmys’ technical and craft awards, including cinematography and sound, are broken into half-hour and hour categories instead of comedy and drama.
Another Emmy contender, “A Knight of the Seven Kingdoms,” HBO’s latest “Game of Thrones” spinoff, is the flip side of “Ponies,” since it’s a drama with episodes that land at just over 30 minutes.
Showrunner Ira Parker says the old distinctions maybe ought to be scrapped.
“Look at all your favorite dramas of all time, like ‘The Sopranos’ and even like, ‘The Wire,’ how funny those were,” Parker said. “I actually think the difference should be 30 minutes and an hour versus comedy and drama.”
“Ponies” has not yet been renewed for a second season, but a few Emmy nominations could change that.