‘La Bola Negra’ Fever Hits Telluride: “Let’s Make the Gayest War Movie Ever”
By David Canfield September 6, 2026 2:05pm
‘Woman Unknown’ Review: A Sharp, Haunting Portrait of Denmark’s Post-War Reckoning
By Richard Lawson September 6, 2026 1:15pm
‘Mr. Nelson, Did You Kill People?’ Review: A Vietnam Vet Reckons with PTSD in a Heavy-Handed Trauma Drama
By Jordan Mintzer September 6, 2026 12:01pm
Lee Chang-dong’s ‘Possible Love’ Emerges as Venice Film Festival Sensation
By Patrick Brzeski September 6, 2026 11:12am
Original ‘Practical Magic’ Star Alexandra Artrip Reacts to “Negativity” Surrounding Sequel Recasting
By Carly Thomas September 6, 2026 10:58am
‘Making Marie Antoinette’ Review: Eleanor Coppola’s Chronicle of Daughter Sofia Shooting Her 2006 Biopic Makes for a Sublime Collaboration of Talents
By Leslie Felperin September 6, 2026 8:03am
Venice’s Lone Female Competition Director May el-Toukhy on Gender Gap: “I’ve Never Heard a Female Director Being Called a Genius”
By Scott Roxborough September 6, 2026 7:57am
‘Possible Love’ Review: Korean Master Lee Chang-dong’s Transfixing Meditation on Economic and Emotional Unease Is a Quiet Powerhouse
By David Rooney September 6, 2026 7:35am