‘Skintown’ Review: A Breezy, Loved-Up, Drugged-Up Guide to Getting Into Trouble in The Troubles
Nostalgia, like ecstasy, is a hell of a drug and Kieron J. Walsh’s warm-hearted, hot-headed “Skintown” is buzzing on both.…
‘I Don’t Know’: Kenneth Branagh on Directing, ‘Harry Potter’ and How Christopher Nolan Had Him Speaking Russian Backwards
Sunday at the Edinburgh Intl. Film Festival turned into Edinbranagh, with a morning screening of the four-hour epic “Hamlet” followed…
‘Mission’ Review: An All-In George MacKay Performance Anchors a Fevered Mental Illness Portrait
Back in 2013, actor George MacKay and director Paul Wright paired up for “For Those in Peril,” an atmospheric study…
‘Borges And Me’ Review: Marc Turtletaub’s Hallucinatory ’70s Road Trip Is Smart, Literary And Playful – Edinburgh Film Festival
Sometimes it feels like the growing subset of films set in the stuffy British academic world of the early ’70s…
Director Frieda Luk on Olivia Luccardi’s ‘Sacred Creatures’ Role and the Fine Line Between ‘Crazy’ and ‘Enlightened’
For “Sacred Creatures” director Frieda Luk, belief can be comforting, ridiculous, exhilarating and hard to explain. “I’m really fascinated by…
‘How the F— Would You Get This Movie Made in America?’ Christine Vachon, Film4, BBC Film Put ‘Trainspotting,’ ‘Ratcatcher’ and ‘The Wicker Man’ Through the 2026 Greenlight Test
Would “Trainspotting” get financed today? Could Lynne Ramsay survive the jump from shorts to a first feature? And might “The…